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Acknowledgments
As always, I have to start by thanking Cathy, my wife and my dream. It’s been an amazing twenty years and when I wake in the morning, my first thought is how lucky I am for having spent these years with you.
My children—Miles, Ryan, Landon, Lexie, and Savannah—are sources of endless joy in my life. I love you all. Jamie Raab, my editor at Grand Central Publishers, always deserves my thanks, not only for her brilliant editing, but for the kindness she always shows me. Thank you. Denise DiNovi, the producer of Message in a Bottle, A Walk to Remember, Nights in Rodanthe, and The Lucky One is not only a genius, but one of the friendliest people I know. Thanks for everything. David Young, the CEO of Hachette Book Group, has earned my respect and gratitude in the years we’ve been working together. Thanks, David. Jennifer Romanello and Edna Farley, my publicists, are not only good friends, but wonderful people. Thanks for all. Harvey-Jane Kowal and Sona Vogel, as usual, deserve my thanks, if only because I’m always late with my manuscripts, thus making their jobs a whole lot harder. Howie Sanders and Keya Khayatian, my agents at UTA, are fantastic. Thanks for everything, guys!
Scott Schwimer, my attorney, is quite simply the best at what he does. Thanks, Scott! Thanks also go to Marty Bowen (the producer of Dear John), as well as Lynn Harris and Mark Johnson. Amanda Cardinale, Abby Koons, Emily Sweet, and Sharon Krassney also deserve my thanks. I appreciate all that you do.
The Cyrus family deserves my thanks not only for welcoming me into their home, but for all they’ve done with the film. And a special thanks goes to Miley, who chose Ronnie’s name. As soon as I heard it, I knew it was perfect!
And finally, thanks to Jason Reed, Jennifer Gipgot, and Adam Shankman for their work on the film version of The Last Song. |
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